WILLIAM D. MUNDELL

Poet

A lighthearted look at Vermont New and Selected Poems by William Mundell 1998

By  Don McLean,  Cooper Hill Books, South Newfane

In last week's column, I lamented the passing of Vermont Poet Laureate, William D. Mundell, on Christmas Eve in South Newfane. I also expressed gratitude that he had completed work on the last of his 6 books of poetry, which has now been posthumously published as The Fun of Hollerin'.

As the title suggests, Mundell has chosen primarily from his lighter pieces. Like many artists, Mundell worked a number of different veins. Co-existing with his intense and masterful "serious" poems is a wholly separate body of work whose obvious ancestors are the prose-poems of Vermont's Walter Hard. These are well-crafted sketches of life in a Vermont hill town, a subject the poet knew intimately.

The title poem, for example, involves a farmer's wife, Addie, whose "new" neighbor's car is stuck in the mud. The farmer's team could pull him out, but he's mowing a high pasture and fails to respond to Addie's shouting and waving: "She kept right on shouting until the neighbor despaired. 'No, he ain't going to hear us from here!', she said. 'But we did have the fun of hollerin'!' "

This poem is not merely lifted from Mundell's third book. Rather, it is a revised version, slightly trimmed and with different line breaks, As it turns out, many of the revisited poems have undergone similar changes. The marvelous "In Rural Maze", from the first book, appears re-titled "Farming Ants," presumably chosen to more immediately convey the subject matter. The earlier version was cast in three solid blocks of type, each line capitalized as in poetry of old. The revision intelligently divides each of the poem's 6 long sentences into separate stanzas, with caps only at the beginning of each, a great service to the reader's eye.

Similarly, another Mundell masterpiece, "The Uninvited," profits in its revision by shortened, lower-case lines and frequent stanza breaks, despite a typographical error which has sneaked in. This poem is at the core of the Mundell canon, and tells us that we humans can never enter the forest unnoticed; our presence is "watched by snails with horns / and ants with wings. You are tripped by little things -- / a spider's web that rings / a hundred leaf bells down their trails..."

As in most of his books, Mundell has divided the poems into titled categories: "Happenings," "Transitions" and so forth. In another, and welcome, departure, in this book he has added little summaries under each heading, briefly describing the subject matter of the poems to follow. Again, we sense the poet's possible premonition and a desire to comment on the work, just in case he should be suddenly absent.

Because this book contains the poet's own selection from his previous ones, it serves as an excellent introduction to William Mundell, and its timely appearance is welcome. Along with the earlier books, it is available at Brooks Library, and, even though some of the others are technically out of print, they may be ordered from Cooper Hill Books in South Newfane.

Particularly recommended are the first two volumes, Hill Journey and Plowman's Earth, which contain many of the essential masterpieces. William Mundell and Dylan Thomas were born within a few months of each other, though the Welsh poet lived less than half as many years. Mundell was a great admirer of Thomas, and some of his poems travel sympathetic paths to similar heights.

From the title poem of Hill Journey: "I am lost above orchard and field, and leaves like apples/ Shaken by the wand of my hand fall to a carpet of light. / I make songs out of the notes of ripe berries;/ I sit at the hallowed tables of unharvested stumps/ And drink from the earthen cup of the blue-sky spring...." The poem ends with a compelling summation of Mundell's dual career as citizen and poet: "I shall go down again to the valley of concern. / I shall return to the rage of change. / But it is today that is forever and forever, / And I can hold the sun and the moment still / In the wink of my eyes."

Don McLean is a poetry afficiando and composer; among his 9 settings of Mundell poems are a song performed at Mundell's Poet Laureate ceremony and a choral cycle which has been performed at the Golden Gate Festival in San Francisco and at a choral competition in Wales.

http://www.state.vt.us/libraries/b733/brookslibrary/reviews1.htm#mundell

 

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Prepared by Bob Dalrymple, PO Box 122, Dapto, NSW Australia 2350

eMail: bob@relativelyyours.com