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Keep sending your info or opinion to this site by emailing me at deeday@iprimus.com.au It’s all free publicity, so what do you have to lose? And please spread the word. The more readers, the more effective the website is for everyone. In Travel Talk and Travel Reviews you will find plenty of news you don’t get in the newspapers. Have a look at the news, travel reviews, and stories.

ERIC SCOTT

 

Re-run for naked Kookaburras

 

SVEN Swenson’s controversial football drama The Truth About Kookaburras was one of the most talked about productions of 2009.

In the tiny Sue Benner Theatre, more than a dozen stark-naked men wreaked havoc in a 3-hour modern-day whodunit set in the testosterone-drenched dressing shed of AFL underdogs the Gold Coast Kookaburras.

Next month, after almost three years in development, The Truth About Kookaburras returns to Brisbane reshaped for its encore as the season opener for La Boite Indie 2012.

 In preparing for the return season, Swenson sought advice from triple Pulitzer Prize winning American playwright Edward Albee, writer of Who’s Afraid of Virginia Woolf? and the shocking bestiality play The Goat.

Albee conducted a workshop of the script with Swenson in October 2010 and challenged him not to tame the wild-child play, but to push it even further.

“Never permit it to be done without nudity. Don’t allow yourself to be talked into cleaving it into two acts. Don’t ever shorten it, in fact it’s not quite long enough, and I think you end it too quickly. Don’t become convinced to amalgamate roles and reduce the cast,” Albee said. “The work can never, on its own account, make you wealthy, but it might make your reputation internationally if you let it be the way it wants to be.”

With this advice in mind, Swenson returned to the rehearsal room in November 2010 with a team of 40 local artists.

“Kookaburras takes an unthinkably large cast of 30 actors and demands of them the rawest possible naturalism as well as highly stylized and exacting theatricality,” Swenson said.

To help achieve this precision, Swenson has called in movement expert Brian Lucas (The Chairs) and fight director Justin Palazzo-Orr (As You Like It).

After an 18-month rehearsal period, Swenson’s Pentimento Productions will premiere this sharpened version for a new audience as part of La Boite Indie 2012.

 

Comic horror and physicality from Zen Zen Zo

 

MICHAEL Futcher directs a new version of The King and the Corpse!, which took Brisbane audiences by storm in the mid-nineties.

Adapting their own piece for a new-look Zen Zen Zo Performance Company, Futcher and Helen Howard offer a night of comic horror and physical imagery, enacted to live music.

Devised from the ancient Indian fables of King Vikram and the vampire, Vetal, the play follows the pair’s odyssey through a burning-ground, inhabited by the vengeful spirits of those the King has executed.

Grasping at world domination, Vikram follows the orders of the evil sorcerer, Shantil, who instructs him to retrieve the cheeky vampire from a wattle tree in the middle of this dark place of the dead.

 To prevent his own sacrifice, Vetal, distracts Vikram with tales which come to life around them. By turns infuriated, humiliated, titillated and tormented, Vikram comes to understand that he is haunted not by the human spirits around him, but by the pride and greed of his own soul, and that his redemption can be won solely by his own efforts.

The cast includes experienced Brisbane favourites: Sandro Colarelli (reprising his role as King Vikram), Bryan Probets, Liz Buchanan, Helen Howard and Chris Beckey, joined by new-comers Lizzie Ballinger (as Vetal), Lauren Jackson (Secret Bridesmaids’ Business), Jamie Kendall  and Mel Budd (Cabaret) and Yenenesh Nigusse (African Drum and Dance), James Raggatt (Grease) with special guest artist Alex Forero (Black Fox).

Guy Webster (As You Like It, La Boite) directs the music, performed live by Cieavash Arean (A Beautiful Life) and friends. Lighting by Ben Hughes. Design by Tiffany Beckwith-Skinner.

3 -19 May, 7 Studio 3, Old Museum Building, Bowen Hills. Tickets: $45 Adults,                    $30 Conc, $25 Full Time Student. Bookings: www.webticketing.com.au

(See 2012 Theatre reviews)

Comic look at the first Queen Elizabeth

 

OPENING on May 26 for a four-week season at the Brisbane Powerhouse, Queensland Theatre Company presents a new translation from Nobel prize-winning Italian playwright Dario Fo, of Elizabeth, almost by chance a woman starring Carol Burns in the lead.

Set in her boudoir, an ailing Elizabeth clings desperately to her throne and her sanity – after all, she hasn’t slept for 11 days - and to make matters worse her love The Earl of Sussex is busy in an attempted coup d’état against herThere are boob lifts and leech-o-suctions, ripping bodices, hearts held in treacherous hands, assassination attempts and constant conspiracies, and Elizabeth suspects everyone is out to get her, even William Shakespeare who in her mind, seems to be basing all of his plays on her life. And then there’s that ghost of her beheaded cousin Mary Stuart. It’s not easy being Queen.

Inspired by historical accounts, and drawing on all the energy and spirit of original commedia dell’arte, Italian playwright Dario Fo has created an Elizabeth of our nightmares – pompous, potty mouthed, paranoid and certainly no virgin!

Wesley Enoch, QTC Artistic Director, and Director of the play, says Nobel Prize Winner Dario Fo has drawn on the spirit and spontaneity of original 16th century commedia dell’arte, to offer up a modern stage masterpiece.

His works are often translated into other languages with a local twist, and such is the case in this new adaptation of Elizabeth: almost by chance a woman (1984), by Luke Devenish and Louise Fox for Queensland Theatre Company. “Although the obvious route to take would be to draw on Elizabeth’s ‘accidental’ throning, Dario instead draws on her womanhood as the quirk of fate,” he said. “He paints an all-too-human portrait of Elizabeth, as frightened, flawed, ferociously foul-mouthed, and quite unlike any other version seen of the Virgin Queen.”

Starring Logie award-winning Carol Burns as Elizabeth in her final hours of life, this farcical and yet strangely moving production is at once a gloriously wicked satire on the insanities of power, and a paean to human mortality. Its equal parts a bawdy burlesque, riotous nose-thumbing of authority, and a surprisingly touching insight into the challenges of womanhood.

Director:   Wesley Enoch. Cast: Carol Burns, Eugene Gilfedder, Jason Klarwein, Dash Kruck, Christen O'Leary, John Rodgers

26 May – 24 June, Brisbane Powerhouse Tickets: $49.00  www.queenslandtheatre.com.au

 

Cast change for Hairspray

 

HARVEST Rain's production of Hairspray opens at the Playhouse, QPAC next month, and Dakota Striplin will join the cast, replacing Dan Venz in the role of teen heart throb Link Larkin.

Dan, who just finished playing Atreyu in Harvest Rain's world premiere season of The Neverending Story, sustained a minor back injury during rehearsals and has been advised by doctors that he needs four weeks rest to fully recover.  

Dakota Striplin was discovered in 2010 by Harvest Rain's CEO and Director of Hairspray, Tim O'Connor, as winner of the Christmas Star competition that saw him perform at the Riverstage in The Lord Mayor's carols in the city. He has since performed as Harry Potter in the Lost Boys Theatre Company's sell-out season of A Very Potter Musical at the Metro Arts, as well as at QPAC in Oscar Theatre Company's production of Spring Awakening. He was recently seen on national television as a contestant on Channel 9's  new show, The Voice.

Hairspray is the story of pleasantly plump Baltimore teen Tracy Turnblad who's only desire is to be on television dancing on the popular Corny Collins Show. When her dream comes true, Tracy is transformed from social outcast to sudden star, but she must use her newfound power to vanquish the reigning Teen Queen, win the affections of heartthrob Link Larkin and integrate a television network - all without denting her 'do!

Featuring Tod Strike), Rachel Dunham (Liz Buchanan and starring Simon Gallaher as Edna Turnblad,

22nd June to 1st July Playhouse, QPAC , Tickets from $49.80
Bookings: 126 246 or visit
www.harvestrain.com.au  Group discounts call 3840 7466
Web address 
www.harvestrain.com.au

 

Opera Queensland appointments

 

 OPERA Queensland’s current Treasurer Robert Hubbard has been appointed the new Chairman of Opera Queensland.

Mr Hubbard replaces Mr Martin Kriewaldt, who retired from the Board 14 years as Chairman. Also retiring are long standing Board members the Hon. Prof. Peter Fardoulys  and Dr Cherrell Hirst.

Robert Hubbard has been a Partner in PricewaterhouseCoopers (PwC) for more than 20 years, first joining the company in 1984. During this time, he has been the auditor of some of Australia’s largest companies and has led both the Advisory and Assurance practices of PwC Brisbane. He has been Treasurer of Opera Queensland for the last 4 years and believes passionately in the role of not-for-profit bodies in the arts and broader charitable sectors. He is also the Chairman of Multiple Sclerosis Australia and a Director of UQ Health Care.

Ms Sally Pitkin has also been appointed to the Opera Queensland Board.

Sally Pitkin’s corporate career as a lawyer and company director spans 30 years. She is a former Partner with national commercial law firm, Clayton Utz, and acts as a consultant to the firm. She is the Deputy President of the Australian Institute of Company Directors (Queensland Division), the Deputy Chairman of the Export Finance and Insurance Corporation, and a Director of Super Retail Group Limited (ASX:SUL), Billabong International Ltd (ASX:BBG), UQ Holdings Pty Ltd, ASC Pty Ltd and the Committee for Economic Development of Australia. She is also a member of the Queensland Competition Authority. She is a graduate of the Queensland University of Technology holding graduate and postgraduate qualifications in law. She is currently a doctoral student with The University of Queensland and is completing her doctoral thesis on governance in independent schools.

 

Carrie Underwood to tour

 

FROM London’s Royal Albert Hall on June 21 to Sydney’s Opera House on July 2 – the 14-million album-selling, five-time Grammy Award-winning, 14 US #1 hit-scoring dynamo – Carrie Underwood will tour outside North America for the first time and include Australia, Chugg Entertainment confirmed today.

Chairman of Chugg Entertainment, Michael Chugg, said  Underwood would end her first Australian tour at the Sydney Opera House.  She will play four concerts in Australia, including a special show in Tamworth.

“The last concert we did in Tamworth was Keith [Urban],” said Chugg, “and we blew the lid off it. Carrie will too.  We worked the itinerary to get her there on a weekend night and it’s the start of the school holidays.”

Underwood will tour Australia on the back of her self-described “stormier” fourth studio album, Blown Away, released in Australia last Friday, which includes the new hit single, Good Girl.

Tour dates:

Tuesday June 26 Melbourne Palais Theatre www.ticketemaster.com.au 
Friday June 29 Tamworth TRECC
www.visittamworth.com  
Saturday June 30 Brisbane Convention Centre         
www.ticketek.com.au          
Monday July 2 Sydney Opera House
www.sydneyoperahouse.com

 

Coldplay tour details

 

COLDPLAY, will perform stadium shows on the Mylo Xyloto tour in Australia and New Zealand when they Australasia in November.

This will mark the first time the seven-time Grammy Award winners have toured Australia since 2009 and their quick visit to headline 2011’s Splendour in the Grass.

Since their debut in 2000 with the global smash hit Yellow, off the equally successful album Parachutes, Coldplay have taken the world by storm with album sales in excess of 55 million and a slew of nominations and awards, including picking up their seventh Brit Award for Best British Group at this year’s ceremony.

With the release of their fifth studio album, Mylo Xyloto, Coldplay have experienced their greatest success to date in Australia with the album achieving double platinum sales. The band’s new single, Princess of China, which features guest vocalist Rihanna was released to Australian radio last Monday where it was quickly snapped up to be the Most Added Song to playlists around the country.

Supporting Coldplay in Australia and New Zealand will be The Temper Trap whose  new self-titled album is the follow up to 2009’s platinum-selling debut Conditions – a long-standing Top 10 ARIA Album, which has now sold more than 800,000 copies worldwide. With the album release locked in for 18 May, fans can expect to hear new material at the shows, including Rabbit Hole and their new single, Need Your Love.

Opening the stage at each show will be The Pierces. Originally hailing from Birmingham, Alabama, talented sister-act Allison and Catherine Pierce will make their debut appearance in Australia this November, following up their latest studio offering, You & I (available now on iTunes in Australia), which has already had major success in the UK and has just been released in the US.

Advance Coldplay Mylo Xyloto tickets will be available to all Visa Credit, Debit and Prepaid cardholders from 12 noon (local time) in Sydney and 1 pm (local time) in Brisbane, this Thursday, 17 May, 2012 until 5 pm (local time), Saturday, 19 May, 2012 or until presale tickets sell out at www.visaentertainment.com.au.

Coldplay, The Temper Trap, The Pierces Tour dates:

 Saturday, 10 November, Mt Smart Stadium, Auckland, Tickets on sale from 9 am (local time), Friday, 25 May, www.ticketmaster.co.nz

Tuesday, 13 November, Etihad Stadium, Melbourne Tickets on sale from 9 am (local time), Friday, 25 May, www.ticketmaster.com.au or 136 100

Saturday, 17 November, Allianz Stadium, Sydney Tickets on sale from 9 am (local time), Friday, 25 May, 2012 www.ticketek.com.au or 132 849

Wednesday, 21 November, Lang Park Stadium, Brisbane  Tickets on sale from 10 am (local time), Friday, 25 May,www.ticketek.com.au

 or 132 849

 

Memorial wake for Jill Shearer

 

THERE will a monster send-off for Brisbane playwright Jill Shearer who died on Sunday May 6. Plans are afoot for a memorial and wake to be held at La Boite’s Roundhouse Theatre on June 3 from 11 am-2 pm.

It is an event that will enable all Jill’s friends and associates to celebrate her life and achievements.

If you wish to attend please contact Angela Faria on 07 3366 0410 or by email to wagtailfilms@gmail.com

Acceptances must be in before the cut-off date of May 31 for catering purposes.

 Jill was not only a great playwright – the only Australian ever to be produced on Broadway with her play Shimada in 1992 – but she was also a great and feisty lady.

I am lucky enough to have been called a friend.

We met often at theatre opening nights and at the Glugs of Gosh monthly luncheons and her wicked sense of humour kept us all laughing. She was always happy to share her knowledge and would introduce me as” a fellow playwright” some honour for a small time writer.

She rang me one day to tell me she had received a$30,000 grant to write a book about her Broadway experiences.

“Eric,” she said." I have no idea how to write a book. You’ve been published can you give me some advice?”

She actually didn’t need any advice and wrote a fascinating book called Only on Broadway.

The last time I saw her was on April 10. Her long time friend Prue Galley, who always brought Jill to the Glugs lunches spoke to me and said she couldn’t attend the April lunch because she was going away. So we organised that I pick Jill up from home.

When my wife and I arrived, Jill, who by then was truly desperately ill, had forgotten. She apologised and said she should give it a miss. But then the old twinkle came back into her eyes and she said: “But I could get dressed quickly.”

Which she did – in ten minutes and we made it to the lunch.

That day she was animated and chatted just like her old self, it almost looked as she had a new lease of life. Maybe she knew her fate and gave one last performance for her friends.

She was taken to St Andrews hospital on May 1 suffering from advanced pancreatic cancer with only days to live.

She died peacefully on May 7.

She was a lovely lady and is already sadly missed.

 

La Boite cancels world premiere shows

 

LA BOITE has announced the cancellation of four performances of their current production A Hoax to allow actor Shari Sebbens to travel to the Cannes Film Festival for the Gala Screening of anticipated new Australian film The Sapphires.

Sebbens will join co-stars Deborah Mailman, Jessica Mauboy and Miranda Tapsell on the red carpet in France for a special screening of The Sapphires on Saturday 19 May.

The Sapphires is the only Australian feature film selected as part of this year’s Official Selection at the special Gala Screening Out of Competition at the Palais,” La Boite General Manager Terese Casu said today.

“We’re delighted for Shari and the whole Sapphires team. While no theatre company likes to cancel shows, we understand that moments like these may only come once in a life time for an actor. We are very proud to support Shari down that red carpet for the Gala Screening in Cannes and wish the film every success.” La Boite has cancelled the following performances of A Hoax: Thursday 17 May, 7:30 pm; Friday 18 May, 7:30 pm; Saturday 19 May, 7:30 pm and Tuesday 22 May, 11 am.

It's been a big news week for Sebbens, who was also announced Wednesday as one of 13 finalists in the fourth annual Heath Ledger Scholarship, designed to help the winner towards a successful career in Hollywood. 

Judging this year's awards are Twilight director Catherine Hardwicke, Warner Bros Pictures exec Greg Silverman, casting director Donna Issacson and Gregor Jordan. 

A Hoax is a new co-production between La Boite and Griffin Theatre Company written by multiple Griffin Award-winning writer Rick Viede, and directed by Griffin Theatre Company Associate Director Lee Lewis.

This cancellation of four performances limits the season to just 13 performances so bookings are essential. The La Boite season must close Saturday 26 May ahead of a Griffin Theatre Company transfer in July.  

Rick Viede is a new voice in Australian theatre. His first play Whore won the Griffin Award for outstanding new Australian writing, toured to New York, and took out the Queensland Premier’s Literary Award.

His second play, A Hoax, for which he won the 2011 Griffin Award, is inspired by the recent spate of fabricated ‘misery memoirs’.

Viede introduces us to Currah, a young Indigenous girl whose life is changed forever when she hits the top of national best-seller lists for the controversial memoir Nobody’s Girl. The world goes mad for the story, and Currah goes mad for the attention.

But when it emerges that the memoir was actually written by starry-eyed white male social worker Ant, what starts as a little white lie triggers astonishing consequences.

A Hoax premieres at La Boite’s Roundhouse Theatre 5 – 26 May, and transfers to Griffin Theatre Company 20 July – 1 September. La Boite’s Roundhouse Theatre, Musk Avenue, Kelvin Grove Village.Show Times Tues & Wed 6.30 pm, Thurs – Sat 7.30 pm, matinees 2 pm Sat 26 May and selected mid-week shows

This cancellation of four performances limits the season to just 13 performances so bookings are essential. The La Boite season must close Saturday 26 May ahead of a Griffin Theatre Company transfer in July. Tickets from $22. Bookings: 07 3007 8600.

(See 2012 Theatre Reviews)

 

Super puppet musical for Arts Theatre

 

FRESH out of college, Princeton is looking to take a bite out of the Big Apple. His Avenue Q apartment may be shabby, but his neighbours – including girl-next-door Kate, internet sexpert Trekkie, and Lucy the Slut – will help him discover his purpose in life.

This TONY Award-winning musical is a must for anyone who’s ever pondered life’s big decisions, or enjoyed a touch of schadenfreude.

Featuring live actors mingled with Sesame Street-style puppets, this production will showcase the very best of Brisbane’s Talent.

WARNING: this is not Sesame Street and is not suitable for Children—contains adult themes and puppet Nudity.

Performing 2 June to 14 July 2012, Thursday to Saturday at  8 pm; Sundays at 2 pm; 24 Jun, 1 Jul). Adults—$39, Concession—$30, Groups 10+ $30, Members—$20

Bookings online: www.artstheatre.com.au or 07 3369 2344.

 

Ballet dancing comedy

 

AS PART of an Australian debut tour, Les Ballets Eloelle’s Artistic Director, Victor Trevino brings his new work, Men in Pink Tights’ to the Queensland Performing Art Centre’s (QPAC’s) Concert Hall for two shows on June 1 and 26.

The technical and innovative choreography complements the humour and audiences will be see the lavish costumes valued at around $3 Million.

Les Ballets Eloelle is one of the few all-male comedy ballet companies in the world. Its mission is to create, present, preserve, and extend comedic repertoire of classical and contemporary dancing, through performances of the highest quality, presented to the widest possible audience.

Artistic Director Victor Trevino says Les Ballets Eloelle is committed to the core art form of ballet and promoting it through the comedic tradition of male comedy ballet. 

“This production is the ultimate send up of both classical and contemporary ballet and will suit audiences male, female, young and old.

“Les Ballets Eloelle's Men in Pink Tights boasts more than fifty classical ballets in its repertoire and twenty of the best international male ballet dancers from 13 countries.”

The Men in Pink Tights programme will include the company's signature work with the cast bringing their own brand of humour to the roles of; Swan Lake Act II, Pas de Quatre, Minkus Gala and the George Balanchine creation Go for Barocco. The show will also feature duets from both classical and neo-classical origins showcasing a combination of pyrotechnics and comedy, while adhering to the spirit of the originals. They include Spartacus, Grande Tarantelle, Romeo and Juliet, La Corsaire, Harlequinade and another signature work The Dying Swan.

Friday 1 and Tuesday 26 June 2012 at 8 pm, Concert Hall, QPAC, Cultural Centre, South Bank, Brisbane. Tickets:      $54.90 to 94.90 - Family $240 to $280
Bookings:  
www.qpac.com.au or 136 246

 

Exploration of maturity

 

QUT Gardens Theatre’s new show, Biddies, features some of Australia’s most talented and Biddies and is an uplifting exploration of the concerns, frustrations, and limitations of a group of mature aged women in a world still largely dominated by men.

Some of Australia’s favourite actresses make up the cast, including Maggie Blinco and Linden Wilkinson. Maggie has played in Australian greats All Saints, Blue Healers, McLeod’s Daughters and Crocodile Dundee and Linden has appeared in A Country Practice from 1987 – 1992 and more recently in Looking for Alibrandi, Packed to the Rafters and Home and Away.

Biddies: Friday, Saturday 18. 19 May, 7.30 QUT Gardens Theatre, 2 George St, Brisbane

 

June highlights for QSO

 

QSO WITH EIVIND AADLAND Featuring conductor Eivind Aadland and Roger Woodward (piano) 8 pm, Saturday 16 June  QPAC Concert Hall Tickets qtix 136 246

BACH Keyboard Concerto No.1 in D minor

MAHLER Symphony No.9

In one of his few Australian appearances this year, internationally renowned Australian pianist Roger Woodward will perform with the Queensland Symphony Orchestra (QSO). Throughout his career, Roger Woodward has performed around the world at thousands of concerts and at hundreds of festivals. Roger Woodward joins the Orchestra to perform JS Bach’s Keyboard Concerto No.1 in D minor. This will be conducted by the Orchestra’s Principal Guest Conductor, Eivind Aadland, along with Mahler’s Symphony No.9. Eivind Aadland is one of Norway’s most respected conductors and the Orchestra welcomes his return as Principal Guest Conductor in 2012. Join Queensland’s only full time, professional symphony orchestra for this profound program and see one of Australia’s greatest pianists in one of his few Australian concerts this year.

The Arts Centre Gold Coast and QSO present  GOLD COAST 2 ROMANCE AND PASSION

Featuring conductor Eivind Aadland, presenter Guy Noble and soloists Milica Ilic (soprano), Kang Wang (tenor) and Warwick Adeney (violin)

7 pm, Friday 22 June Arts Centre Gold Coast Tickets 07 5588 4000

MUSIC ON SUNDAYS 2

ROMANCE AND PASSION

Featuring conductor Eivind Aadland, presenter Guy Noble and soloists Milica Ilic (soprano), Kang Wang (tenor) and Warwick Adeney (violin)

11.30am, Sunday 24 June QPAC Concert Hall Tickets qtix 136 246

Repertoire includes excerpts from:

VERDI La Forza del Destino: Overture                                                

PROKOFIEV Romeo and Juliet

GOUNOD Romeo et Juliette

DVORAK Slavonic Dance  No.7

DVORAK Rusalka, O Silver Moon

BEETHOVEN Romance No.2

FRANCK Psyche: Les jardin d’Eros

MASSENET Manon, Toi! Vous!..Oui c’est moi

BARTOK The Miraculous Mandarin

For tickets to the Gold Coast performance please call 07 5588 4000.

For tickets to the concert in the QPAC Concert Hall please call qtix on 136 246.

 

 

What’s happening at StageDoor dinner Theatre

 

NOW playing until June 16 at StageDoor Dinner Theatre is My Three Mothers-in-law, an Australian comedy by Eric Scott, a comedy involving hilarious mix-ups, mistaken identities, and outright deceptions.

For most, the thought of a day with the mother in law is enough to make you head for the hills. Imagine then if your wife had three Mother's-in-law. That is what David is facing when his wife Hillary finally discovers her birth mother and biological father. 

However their plans for a one on one with her birth mother Delia are blown sky high when her adoptive mother and biological father all turn up without warning.

A farcical turn of events ensue as David and Hillary try to keep their "In-laws" apart while their 13 year old son Jason finds his sanity in grandma's bottle of red wine.

A world premiere musical

You Have Never Been To A Hair Salon Like This! Welcome to "Sheer Perfection" where the staff are crazy, the clients are wacky and the last thing on anyone's mind is styling the perfect murder.

A laugh a minute musical spoof filled with all your favourite hit songs, bad hair jokes, murder, mystery and most fun you will ever have in, or out of the barber's chair.

Opens June 23  2012. Bookings for all shows: 07 3216 1115 or www.stagedoordinnertheatre.com.au  

 

La Boite open for Indie 2013 applictions

 

LA BOITE Theatre Company is now taking applications for La Boite’s 2013 Indie season.

Entering its fourth year, La Boite Indie has gained considerable momentum, establishing itself as one the most successful platforms for independent theatre in Australia. La Boite is on the hunt for outstanding contemporary independent works made with passion and rigour to join the program for the 2013 season.

“We are thrilled to announce that La Boite Indie will continue in 2013, and are even more excited to be launching applications early with the hope of working with some of the nation’s most deserving independent artists next year,” Program Manager Nicholas Paine said.

“Our theatre will once again be transformed from a 334-seat thrust stage to a 100-seat end-on space. We believe that this scale better suits most independent work and enables various costs to be kept within the reach of independent companies and artists. In some cases, depending on the work, La Boite’s small rehearsal room may also be used for La Boite Indie presentations.”

La Boite Indie has welcomed eight vibrant and diverse independent theatre companies to the Roundhouse Theatre in 2010 and ’11. Six Indie productions take to the stage in 2012, including Pentimento Productions’ The Truth About Kookaburras, Sarah Winter’s a dinner with gravity, Motherboard Productions’ La Voix Humaine, nest ensemble’s Home, Monsters Appear’s A Tribute of Sorts and The Danger Ensemble’s Children of War.

La Boite is looking for compelling theatre; whether that be a production of a new international text, a new Australian play, a work of contemporary performance, an inter-arts performance event, or live art, extending the offer for works from diverse practices both locally and across the nation.

Companies and artists wishing to submit a work for Indie 2013 can find full details and conditions for entry on La Boite’s website www.laboite.com.au  Applications close 5 pm Monday 18 June, 2012.

Contact Program Manager Nicholas Paine on (07) 3007 8622 or nicholas@laboite.com.au for more information.

 

What’s On at Urbane, Euro and Laneway

 

Urbane was awarded a very prestigious and much revered 2 hats at therecent Good Food Awards, and The Euro scored one! The trio of dining venues at 181 Mary Street in the award-winning Urbane, her brasserie sister The Euro and the upstairs bar The Laneway have announced their winter program:

Twilight dining at the Euro

With Brisbane gearing up for a big Winter of headline shows, sporting events, exhibitions and festivals, The Euro has announced an early dining program to enable people to dine early and be at theatres or stadia or concert venues for curtain calls and kick offs. 

Twilight Dining at The Euro includes complimentary valet parking (worth $40) which means guests can come in for a 5 pm sitting, chose from the dedicated menu, at $35 for two courses and $45 for three. To book ring The Euro on (07) 3229 3686):

Tuesday May 29: Five courses, five beers, one Euro

On May 29 at The Euro experience the perfect marriage between fine food, and boutique beer.

Course # 1 is Binchotan grilled, local tiger prawn, chilli and fennel salt matched with the famous Fosters.

Tuesday May 29 from 6.30 pm, The Euro, 181 Mary Street, City

$135 pp. Places are limited and bookings are essential on (07) 3229 3686

 Wednesday May 30:  Whiskey appreciation at The Laneway

Learn to truly appreciate the mysterious characteristics of a single malt whisky at The Laneway as resident bar expert Kal Moore guides you through the aspects of a truly great drop.

The Laneway, upstairs, 181 Mary Street, City. $85pp. Places are limited and bookings are essential on (07) 3229 3686

For patrons planning a visit to Urbane, Sub-Urbane, The Euro or The Laneway, valet parking is now available. Entrance is via Spencer Lane andcost is $40. Simply pre-book by calling either 07 3229 2271 (if you’re coming to Urbane or Sub-Urbane) or 077 3229 3686 (if you’re coming to The Euro or The Laneway).

The burgers of May

The Laneway is home to gourmet burgers and a brilliant beer menu, and the cooler weather is the perfect temperature for burger appreciation!

 

Live dates on stage

 

BLIND dates – are they romantic adventures or awkward catastrophes? Anything can happen when Bojana Novakovic tackles a new date every night in Ride On Theatre’s The Blind Date Project on stage at Brisbane Powerhouse from Tuesday 22 May 2012.

The Blind Date Project is an personal and improvised meeting between Anna (Bojana Novakovic) and a different mystery performer each night.

Set in a kitsch Karaoke bar, and guided only by text messages from the director (Tanya Goldberg), this is a show about two people desperately searching for connection. There is no script and each date is unique – it could lead to love, lust, or devastation, depending on the night.

Performer and Co-creator Bojana Novakovic says “Mark Winter (Co-creator) and I specifically avoided making this theatre sports or a comedy act. It’s funny, but it’s more than that. It is an experience where the danger of performing without scripts lends itself to the thrill of what is being explored: fear of facing the unknown, daring to date blindly and taking huge risks in the name of love.”

Bojana Novakovic is an AFI-award winner (for ABCs Marking Time) and her film roles include Blackrock, Edge of Darkness, Drag Me to Hell, Devil and Burning Man. Her theatre credits include performances for Melbourne Theatre Company, Sydney Theatre Company, Bell Shakespeare, and Malthouse Theatre.

Ride on Theatre is described by The Age as “one of the most exciting companies on the independent theatre scene”. Headed by Co-Artistic Directors Tanya Goldberg and Bojana Novakovic the company has produced The Story of Mary MacLane by Herself, Way to Heaven, Fake Porno, Family Stories, An Oak Tree, Bone, Merchant of Venice, Debris and Loveplay.

The Blind Date Project, Conceived by Bojana Novakovic and Mark Winter with Thomas Henning; Directed by Tanya Goldberg; Performed by Bojana Novakovic and guests; With Lucy Moir as the Karaoke Queen.

  Tuesday 22 – Saturday 26 May; Brisbane Powerhouse. Tickets: $20 - $25. Bookings: www.brisbanepowerhouse.org and 07 3358 8600

 

Looking for his pound of flesh

 

NEW Farm Nash Theatre’s next production will be Shakespeare’s The Merchant of Venice, directed by Brenda White.

In 16th century Venice, when the merchant, Antonio cannot repay the money he has borrowed from the Jewish moneylender, Shylock for a friend with romantic ambitions, the bitterly vengeful creditor demands a gruesome payment instead.

Shakespeare’s tale of justice, cruelty, friendship and love comes to life onstage with the story of Shylock’s deadly claim for a pound of Antonio’s flesh and, of the horror and helplessness of Antonio’s friends and of the mysterious young lawyer who comes to his rescue unfolds.

The production features Amelia Batch, Joshua Bird, Eamonn Clohesey, Tegan Devine, Guillym Davenport, Dennis Fadil, Bronte Geitz, Nigel Munro-Wallis, Kate Rohde, Sandy Sharma, John Tiplady, Chris Vaag, Andrew Whitmore and Henry Young.

Merthyr Road Uniting Church, 52 Merthyr Road, New Farm from May 12-June 2 at 7.30 pm with a 2 pm matinee on Sunday May 20th

Adults: $20 Concession: $15 School Students & Members: $12

Bookings: phone 3379 4775 or e-mail nashtheatre4@bigpond.com

 

Tina Arena’s Brisbane concert

 

TINA Arena returns to Brisbane in style with a full concert program with the Queensland Symphony Orchestra. Due to overwhelming demand, the Queensland Symphony Orchestra (QSO) has announced a second show for 8 pm on Friday 6 July in the Lyric Theatre, QPAC.

Tina will perform in the Lyric Theatre, QPAC at 8 pm on July 5 July and 6.

Prepare to be enthralled by one of Australia’s brightest stars as Tina and the Queensland Symphony Orchestra perform all the favourites you know and love from Chains to Call Me to Don’t Cry For Me Argentina and more!

Tina brings her symphonic concert tour to Brisbane after highly acclaimed sell-out shows in Sydney and Perth. Audiences will be treated to magnificent repertoire, as broad and diverse as her amazing career, specifically arranged for a symphony orchestra.

Tina has performed around the world, in four different languages, on her own and with legends such as Chaka Kahn, Donna Summer, Stevie Wonder and Mark Anthony. She has starred in musicals and as a soloist backed by orchestras and been acclaimed by her fans and peers.

Most recently, Tina surprised spectators along the Champs Elysees in Paris, her adopted home, with her spine tingling a’capella rendition of Advance Australia Fair in tribute to Cadel Evans victory in the Tour De France.

Tina’s international success is particularly unique, having sold over one million albums in France alone, including two chart topping albums in French language. She is also one of few Australians to be awarded the Order du Merit for her outstanding contribution to French culture. Yet, Tina remains a fiercely proud Australian and one of Australia’s highest selling female artists and a multiple ARIA award winner.

Please click here for an image of Tina Arena.

Tickets available at  9am on Thursday 3 May.

Join the waitlist tat www.qpac.com.au Bookings: QTIX 136 246 or visit www.qtix.com.au

 

New ticket release for Brisbane’s Jersey Boys

 

SIMILAR to audiences all around the world, Queenslanders can’t wait to see Jersey Boys – The Story of Frankie Valli & The Four Seasons, and are snapping up ticketsBecause of the huge demand the producers have announced that new seats will be released for sale as from 9 am Monday 14 May. Jersey Boys opens at QPAC on 13 July 2012.

The show smashed the box office record for a second week of trading by taking in excess of $NZ1.9 million gross, beating previous records by over $NZ500,000

This demonstration of support by New Zealanders for this internationally acclaimed musical falls at the same time that Jersey Boys notches up its 1,000th performance in Australasia on Thursday 26 April.

Rodney Rigby, Producer, said “We are thrilled that New Zealand continues to embrace the great story of four guys from the wrong side of the tracksThe 1,000th show of Jersey Boys not only marks the great success of the production in New Zealand and Australia, but, of equal importance, recognizes the outstanding contribution of everybody associated with the production worldwide.”

Jersey Boys opened in Melbourne in July 2009 and played for 13 months before transferring to Sydney in September 2010Over 1,000,000 people saw the show in Melbourne and Sydney by the close of run in December 2011Following the season in Auckland Jersey Boys will play in Brisbane and Adelaide.

Jersey Boys opens at Queensland Performing Arts Centre’s (QPAC’s) Lyric Theatre from Friday 13 July 2012. Tickets on sale now via qpac.com.au or call 136 246.

Information & Bookings: http://jerseyboysaustralia.com.au 

 

The ageless story of Pinocchio

 

THE Brisbane Arts Theatre continues its tradition of presenting quality children’s theatre with the classic tale of Pinocchio!

Gepetto, the woodcarver, has only ever had one wish: To have a real son. With the help of the Blue Fairy and Mr Cricket, his wish comes true as his favourite puppet, Pinocchio, magically comes to life!

But like all young boys, Pinocchio gets into all kinds of trouble, and it is up to Gepetto & Mr Cricket to find and save him.

Performing every weekend between April 16-June 16 Saturdays @ 2 pm, Sundays at 2 pm (13 & 20 May, 3 & 10 June only)

All tickets $16 Groups 10+ $13. Bookings: 07 3369 2344 or online at www.artstheatre.com.au

 

 

Celebrating indigenous contemporary dance

 

BLAKDANCE 2012 is an international showcase celebrating First Nation contemporary dance.

For the first time six renowned international and Australian First Nation choreographers will work with established and emerging dancers to create a new production called Blakdance 2012.

This production will include a suite of works devised by each choreographer. It will be a timeless cultural collection that will surprise and engage audiences through traditional and contemporary First Nation dance and storytelling as each choreographer has their own unique style and traditional voice.

Rita Pryce (Baiwa Dance Co), Jacob Boehme (Idja Dance Theatre) and Tammi Gissell (Figures of Speech) represent the Australian independent choreographers whilst the international choreographers include Sandra Laronde (Red Sky) and Jack Gray and Cathy Livermore (Atamira DancE Collective), respectively from Canada and New Zealand.

Blakdance 2012. is a showcase where international, national and local choreographers, dancers, industry members and audiences can come together to celebrate and gain a deeper understanding of First Nation Australia through contemporary dance practice. It’s an opportunity to share; where traditional dance meets contemporary performance, where the storytelling is from global cultural voices. Throughout the week there will also be forums, a cultural artists’ symposium and master classes.

This showcase event is created by BlakDance Australia Limited. BlakDance Australia Limited was born from an Ausdance National program called Treading the Pathways. Like Treading the Pathways, BlakDance Australia Limited’s purpose is to support Indigenous Australian dance and dancers.

Blakdance 2012. will be held at Queensland Theatre Company in Brisbane as part of the GreenHouse. Dates: 4 – 9 June at the Bille Brown Studio, Queensland Theatre Company, Montague Road, Sth Brisbane .

Performances and Forums – including a work from each choreographer; Thursday 7 June,  1 pm (with post forum) and 7.30 pm; Friday 8 June, 1 pm (with post forum) and 7.30 pm (with post forum); Saturday 9 June, 1 pm and 7.30 pm

$38, $28 Concession, $25 Under 30, $21 School Groups (1.5 hour duration)

Cultural Artists’ Symposium – free event – Wednesday 6 June, 5 pm – 7 pm

Bookings:  Queensland Theatre Company www.queenslandtheatre.com.au  Call 1800 355 528

For all information on the master classes and professional development program contact BlakDance  admin@blakdance.org.au 07 3220 3377.

 

Music from the sea

 

  ON MAY 20 and May 27, the Brisbane Chorale and the Brisbane Symphony Orchestra will present Seascapes featuring Vaughan Williams’ choral epic A Sea Symphony and works by Debussy commemorating the 150th anniversary of his birth.

 Vaughan Williams set music to poems by American poet Walt Whitman. From its opening exultant words “Behold, the sea itself” to the quiet visionary conclusion, the symphony is an exhilarating and intense journey where man’s exploration of the majestic, timeless sea becomes a voyage of self-discovery and a metaphor for the soul’s voyage to eternity.

  Early Debussy works were both originally composed for piano four-hands but later orchestrated because of their appeal. Marche ecossaise is his tribute to Scotland. The delightful Petite Suite opens with a gentle view of the sea in its opening movement.

Concert 1: 3 pm Sunday 20 May, Lake Kawana Community Centre, Sportsman Parade, Bokarina. Tickets & Bookings 20 May: $30/$25/$15 (Tel 5413 1400)

  Concert 2: 3 pm Sunday 27 May, Conservatorium Theatre, Southbank (part of the 4MBS Festival of Classics) Tickets & Bookings 27 May: $35/$25/$15  (QTIX 136 246 or www.qtix.com.au)

 

Searching for a cast for Breaker Morant

 

CENTENARY Theatre Group is holding auditions in June for a September production of Breaker Morant   by Kenneth Ross Audition - Sunday 24 June at 1 pm at the Chelmer Community Centre, Cnr Queenscroft and Halsbury Streets, Chelmer.

Season 08 -29 September 2012  -  Fridays & Saturdays  at 8 pm and Sundays at 6 pm

Cast required:

Lt Harry Morant   mid 30s   British ,  aristocratic but lacking in drawing room poise, strong arrogant features and manners, contradiction of a man – poet yet pragmatist, reckless yet suspicious, frivolous yet solemn

Lt Peter Handcock  mid 30s   Australian bushman type   Handlebar waxed moustache

Lt George Witton  late 20s early 30s   Large man

Major Thomas late 20s   Australian .country bush solicitor fresh boyish face, gains strength, assurance and confidence through performance,   shrewd. not urbane,  earnest believer in clients

Major Bolton 40s   middle class English solicitor,  poised and polished, has reservations but fights  vigorously to win case

Lt Colonel Denny mid 50s  President of court, English,  used to exercising authority (also first interrogator?)

Dr Johnson   late 50s  Scot,  dour,  preserver of life, contemptuous of the court martial (also second interrogator?)

Van Rooyan  50s  bearded Dutch farmer  (also trooper or Doctor Johnson?)

Mr Robinson  40s a failure, symptomatic of alcoholism, hollow featured, nervous , subordinate attitude (also Colonel Hamilton, third interrogator and officer?)

Lord Kitchener 50s British  autocratic manner and bearing, good looking   heavy walrus moustache

Sergeant Major Drummitt 40s   British stiff parade ground manner

Corporal Taylor late 20s  British forceful, aggressive,  crisp military manner, displays nervous energy (also corporal?)

Trooper Botha 30s Dutchman  in British army,  slightly comical,  played with some sympathy (also trooper?)

Corporal Sharp 20s cockney soldier

Additional extras   Officers and Troopers     some judicious doubling………

Inquiries to Rod (director) 0416 164 064 or Rhyll (SM) 0414 816 976

 

Irish songstresses

 

CELTIC Divas Australian tour arrives in Brisbane on Saturday June 16 at The Tivoli, Fortitude ValleyThe new album Celtic Divas II has just been released by ABC/Universal Music. 

Celtic Divas will introduce the Irish duo Lumiere, featuring Éilis Kennedy and Pauline Scanlon and the vocals of Noriana Kennedy and Nicola Joyce (Grada).

Noriana Kennedy is  one of Irelands newest folk talents,  Noriana represents the new generation of Irish folk singers who engage you with their unique songbook which crosses oceans from Waterford to America, Scotland and a thousand heart worn places in between. Likened to many as a young Mary Black, she has a rare gift of being able to connect with any listener through understatement and simplicity. Her debut album Ebb n Flow marks the first steps into what promises to be a long journey.

 Nicola Joyce is the fourth Celtic Diva, Jwho is best known as the lead singer of Gráda, one of Ireland's most successful touring bands. Whether she sings ancient Irish songs, contemporary folk, or her own original pieces, Joyce’s performance is remarkably heartfelt and honestAs a full-time touring musician for the past six years, (twice in Australia with Gráda) Nicola has played in 30 countries around the world and performed alongside some of its greatest musicians.

From Galway, Nicola has released two albums to date. The latest, Natural Angle, was recorded with Grammy award- winning icon and producer, Tim O’Brien, and was named by USA’s National Public Radio as one of the Top 5 Folk Albums of 2010.

Together Celtic Divas bring a fresh outlook and Irish warmth to their shows. The charm about their performances is the bond and respect the four girls have between them.  

The Tivoli, 52 Costin Street, Bowen Hills, Saturday June 16 at 8 pm. Bookings:  132 849 or www.ticketek.com.au

 

These cooks won’t spoil broth

 

ADRIAN Richardson, Alastair McLeod, David Pugh, Hajime Horiguchi, Jeremy Clark, Tony Kelly,  Paul McGivern,  Kym Machin  are leaders in Australia’s dining scene who create magic from simple ingredients. On Saturday night, June 16, they will donate their time to children, by way of starring in the 2012 Variety of Chefs Ball.

Now in its third year, the Ball showcases a roll call of culinary greats with marquee names from Melbourne, Noosa and Brisbane. The Great Eight will create a dining experience, each bringing their own specialty to the shared kitchen, allowing guests to taste an incredible range of flavours over the evening.

Les Riley, CEO of Variety the Children’s Charity, said this year’s chefs had been dubbed The Great Eight because every one of them answered “yes” to taking part. “All of our chefs donate their time, their expertise, and their passion for this event. Their commitment to Variety, and the children we help – when we are in the middle of the current Chef-Obsession era – is truly humbling,” he said.

David Pugh, Queensland Food Ambassador and owner of Restaurant II along with cutting-edge culinary creative Kim Machin now of Spring, have cooked at all three Variety of Chefs events, while Queensland’s Alastair McLeod of Bretts Wharf and Tank Restaurant will appear for the second year running.

This year welcomes first time star chefs Hajime Horiguchi from Noosa’s Wasabi;  Jeremy Clarke from the recently multi-million dollar made over The Hilton; Tony Kelly from Stokehouse; Paul McGivern from Jetty (no stranger to the event having managed the kitchen at the event in 2011), and flying up from Melbourne, Adrian Richardson, chef owner of Charlton’s  La Luna.

The official launch of the 2012 Variety of Chefs Ball, when the full menu, and who is creating what, will be revealed, will take place on May 10 at the Hilton Hotel.

Variety the Children’s Charity is dedicated to empowering Australian children who are sick, disadvantaged or who have special needs to LIVE, LAUGH and LEARN. Each month in Queensland alone, Variety receives over $250,000 worth of appeal requests for children in need. Through grants to children who are sick, disadvantaged and who have special needs, Variety – the Children’s Charity fills a vital gap between what families, schools and communities are able to afford and what our special kids need to lead engaged and fulfilling lives.

2012 Variety of Chefs Ball  6.30 pm Saturday 16 June, The Grand Ballroom, Hilton Hotel Brisbane. Dress:  Black Tie/Formal. Cost: $225 per person; $2250 for table of ten; Limited Platinum packages available. Bookings: 07 3907 9300 or georgie@varietyqld.org.au.

www.varietyofchefs.com.au

 

Centenary Theatre’s world amateur premiere

 

THE Centenary Theatre Group is working on its next production – Perve. It’s a new play which premiered at the Abbey Theatre in Dublin in May 2011.  Centenary is the first theatre company outside of the Abbey to perform this play. 

It comes with a warning about strong coarse language, adult themes and it being rated M for mature audiences only.  

The play is directed by John Boyce, current artistic director of the Brisbane Arts Theatre, and features Tom Yaxley as Nick, Jason Nash as Gethin, James Fitzgerald as The Authority, Kerry Thomas as Lorraine (Gethin & Sarah’s mother), Helene Holland  as Taylor’s Mum, Lauren Alice as Sarah (Gethin’s little sister) and Kaitlyn Woods as Layla.

It's the tale of Gethin, who has just finished his film course and reckons he’s the next ScorseseHis mum wants him to film her friend’s wedding video – before the couple gets divorced.

But Gethin is interested in a more daring project – one that will get him into dangerously deep water, question his idealism and turn his life and that of his family upside down.  

 Annoyed at the way everybody gets so hysterical about paedophilia and how quickly society is to judge those who are accused of it, Gethin places himself in the firing line, starting a rumour that quickly turns around to bite him, but not before secrets come out and consequences arise that he never thought would, helping him learn about responsibility and raising questions about the validity of our paranoia.

Perve is an irreverent and unsettling play that interrogates paranoia, ambiguity and innocence in our highly sexualized world. It premiered at the Abbey Theatre, Dublin in May 2011.   The CTG’s production will be its world amateur premiere. 

This play is suitable for mature audiences only - adult themes – coarse language.

Playing – 5, 11, 12 13, 18, 19, 20, 25 and 26 May

To book on-line go to www.centenarytheatre.com.au

For more information bookings call 0435 591 720

 

Shakespeare in the absurd

 

THE Brisbane Arts Theatre, Queensland’s oldest running community theatre group, tackles the unique blend of Shakespeare & Absurd Theatre with Rosencrantz & Guildenstern Are Dead!

The play concerns the misadventures and musings of Rosencrantz and Guildenstern, two minor characters from William Shakespeare's Hamlet who are childhood friends of the prince, focusing on their actions while Hamlet plays as background. The action on stage is in fact the off-stage action in Shakespeare’s tragedy, with the exception of a few short scenes in which the dramatic events of both plays coincide. The two characters find themselves on a boat, taking Prince Hamlet to England with the troupe that staged a performance at the Danish palace. They are intended to give the English king a message telling him to kill Hamlet. During the voyage, the two are ambushed by pirates and lose their prisoner, Hamlet, before resigning themselves to their fate….

Performing 28th April to 26th May, Thursday to Saturday, 8 pm. Adults—$31

Conc/Child $25. Groups 10+ $25

Bookings online: www.artstheatre.com.au or (07) 3369 2344

(See 2012 Theatre Reviews)

 

Kiwi comics make Australian début

 

NEW Zealand’s folk comedy duo Flight of the Conchords is coming to Australia! The Frontier Touring Company will be bringing Kiwi funny men Bret McKenzie and Jemaine Clement for their first ever run of Australian headline shows this July.

In a career spanning almost fifteen years, Flight of the Conchords  has become one of Australia’s favourite comedy and musical acts, with the band gaining notoriety for their ditties including Carol Brown, Foux Da Fafa, Epileptic Dogs and many more.

Throughout their live performances the duo picks up multiple instruments, including the ukulele, toy piano, keytar,  synth and a ‘1987 DG-20 Casio electric guitar set to mandolin’ to create the sounds of some of the most bizarre singalongs heard on-stage.

After getting their start in stand up comedy, Bret and Jemaine created a radio series for BBC Radio 2 before launching into acclaimed HBO comedy series Flight Of The Conchords. The series spanned two seasons and earned them 10 Emmy nominations and a WGA nomination for Best Comedy Series.

Most recently, both performers have been pursuing the big screen. Bret took on the role of Music Supervisor for The Muppets movie and recently won the Best Original Song Oscar for his composition Man Or Muppet. This track beat out its counterpart from the film Rio to win the award, a film that coincidentally featured Bret’s partner in crime and upcoming Men In Black III star Jemaine Clement.

It’s hard to pinpoint what has kept the duo from touring our shores all this time, was

FLIGHT OF THE CONCHORDS

Thursday 5 July Sydney Opera House, All Ages. sydneyoperahouse.com Ph: (02) 9250 7777

Saturday 7 July Brisbane Entertainment Centre All Ages. ticketek.com.au 132 849

Tuesday 10 July Newcastle Entertainment Centre  All Ages. ticketek.com.au  │132 849

Wednesday 11 July WIN Entertainment Centre, Wollongong  All Ages. ticketek.com.au 132 849

Friday 13 July Adelaide Entertainment Centre  All Ages. ticketek.com.au 132 849

Saturday 14 July The Plenary, Melbourne  All Ages. ticketmaster.com.au  │ 136 100

Wednesday  18 July Challenge Stadium, Perth  All Ages ticketmaster.com.au 136 100

 

New Disney on Ice spectacular

 

THE new Disney on Ice spectacular Let’s Celebrate! features more than 50 characters from 16 Disney stories, Disney On Ice presents Let’s Celebrate! will take over the Brisbane Entertainment Centre from June 28 – July 1, with tickets on sale at Ticketek 13 28 49 or ticketek.com.au\disneyonice.

The show is a montage of Disney characters celebrating holidays and festivals from around the world, and is the first time audiences will see Princess Tiana and Prince Naveen, live on ice, from Walt Disney Pictures’ The Princess and the Frog.

 Classic and contemporary Disney songs, an original storyline, brilliant costumes and high energy action will celebrate some of the world’s most popular events — from Halloween with the Disney Villains, to a Valentine’s Day Royal Ball, featuring the Disney PrincessesMore than 50 characters from 16 Disney stories will take audiences on a world tour to exotic destinations like Brazil for a Carnivale parade, Hawaii for a luau party and Japan for a Cherry Blossom festival. 

June 28 – July 1 Brisbane Entertainment Centre. Bookings: Ticketek 13 28 49 or www.ticketek.com.au\disneyonice

 

 

Simple Plan for fun

 

GET ready for the return punk-pop ensemble Simple Plan this winter when the band embarks on a tour that sees them hit metropolitan and regional venues large and small in an extensive east coast tour.

Their latest offering Get Your Heart On! (out now through Warner Music Australia) stormed the ARIA charts upon its release late last year, armed with fan favourite and ARIA Top 10 single Jetlag (featuring Natasha Bedingfield).

Known for their dynamic, energetic and entertaining live performances, Simple Plan’s recent shows in their homeland of Canada were no exception,

Bouvier and his bandmates returned the love with a fun and fast-paced 90-minute show ‑ jumping, twirling, chasing each other around, and diving off stage like they were a pack of hyperactive high-school students in their first band.” – Edmonton Journal, Canada

Since their formation in 1999 and amidst the multiplatinum releases, sold out headline tours and numerous awards Simple Plan have always made one thing clear – their music is all about the fans.

Joining Simple Plan on tour is We The Kings, whose current single Say You Like Me from their latest album Sunshine State Of Mind (out now through Liberator) is racing up the US Singles Charts, having hit Top 30 with no sign of slowing down.

The double platinum selling predecessor ‘Check Yes Juliet’ won over Australian listeners with its catchy hooks and the band sold out two headline shows alongside their Soundwave appearances last year.

Rounding out the lineup will be local power-pop dance quintet THE NEVER EVER, a group of exuberant Sydneysiders ready to get crowds moving with their boundless enthusiasm and danceable tunes.

Fri 1 June   Hordern Pavilion, Sydney, NSW All Ages Ticketek 132 849 or www.ticketek.com.au

Sat 2 June Festival Hall, Melbourne, VIC  All Ages Ticketmaster 136 100 or www.ticketmaster.com.au

Sun 3 June            Panthers, Newcastle, NSW All Ages Moshtix 1300 438 849 or www.moshtix.com.au

Wed 6 June Uni Hall, Wollongong, NSW         All Ages Big Tix 02 4968 3093 or www.bigtix.com.au  Oztix 1300 762 545 or www.oztix.com.au

Fri 8 June   Southport RSL, Gold Coast, QLD All Ages Oztix 1300 762 545 or www.oztix.com.au

Sat 9 June Eatons Hill Hotel, Brisbane, QLD All Ages Oztix 1300 762 545 or www.oztix.com.au

Sun 10 June Caloundra RSL, Sunshine Coast, QLD All Ages Oztix 1300 762 545 or www.oztix.com.au  Caloundra RSL 07 5438 5800

All persons under the age of 18 must be accompanied by a responsible adult

 

Big season for Pops orchestra

 

JOINED BY world-class performers, the Queensland Pops Orchestra will perform genres ranging from jazz and classical to musical theatre and country in their 2012 season at Queensland Performing Arts Centre.

In May, returning to QPAC after their performance of You and I at the 2011 Brisbane Cabaret Festival, husband and wife duo Ian Stenlake and Rachael Beck join the Queensland Pops Orchestra for On Broadway. A celebration of the musicals of The Great White Way, this concert will have the audience laughing, crying, sighing, and melting to the glorious sounds of the stage.

Virtuoso clarinet and saxophone artist Andy Firth returns to perform with the ‘Pops’ for a third time to get you swinging with Music to Swing By in August. Supported by jazz star on the rise Sarah McKenzie on piano and vocals..

To close out the season in October, the ‘Pops’ will be joined by Australian music legend Troy Cassar-Daley to present a unique combination of orchestral and country sounds celebrating this great nation we live in. In A Big Country Troy will share a collection of his great hits, while introducing listeners to his new material in a spectacular fashion.

To book go to www.qpac.com.au or phone 136 246.

2012 Season Queensland Pops Orchestra

Music to Swing By Sat 18 Aug, 2 pm & 8 pm  Concert Hall, QPAC, Cultural Centre, South Bank Tickets: $60 to $79, Students $33

A Big Country Sat 20 Oct, 2 pm & 8 pm Where: Concert Hall, QPAC, Cultural Centre, South Bank. Tickets: $60 to $79, Students $33

Bookings: www.qpac.com.au or phone 136 246

 

QPAC’s international series

 

THE Queensland Performing Arts Centre has announced a new QPAC International Series. Tagged Bringing the World to Brisbane, the program, initially planned to run over the next five years and beyond, will see some of the world’s finest performing arts companies travelling to Brisbane for exclusive appearances in that city.

In a sense the scheme has already been trialled with the Paris Opera Ballet’s Brisbane debut in 2009 and the subsequent visit to Australia for the first time of the National Ballet of Cuba.

The QPAC International Series will be expanded in 2012While once again the central attraction will be a world-renowned ballet company, The Hamburg Ballet, the offering will also include associated visits by the Hamburg Philharmonic Orchestra and artists of the Hamburg State Opera.

The Hamburg Ballet is led by the great choreographer John Neumeier, the man who has shaped its repertoire and style and who has kept it at the forefront of world dance for four decades. During that time, a number of Australians have danced within the company, but the company has never visited Australia.

Audiences will experience two major examples of Neumeier’s workNijinsky, a work based on the life, meteoric career and descent into madness of one of Neumeier’s heroes, the legendary Russian dancer Vaslav NijinskyThis is choreographed to music by Chopin, Schumann, Rimsky-Korsakov and Shostakovich.

Neumeier’s second work is his three-act version of Shakespeare’s A Midsummer’s Night Dream, set to music by Mendelssohn and Ligeti, and based on Shakespeare’s comedy.

The orchestra for the performances of A Midsummer Night’s Dream will be the Queensland Symphony Orchestra under the direction of Brisbane-raised conductor Simon Hewett who is Hamburg Ballet’s resident ballet conductor and who has recently been appointed Musical Director of Stuttgart Opera.

Like the ballet company, the Hamburg Philharmonic Orchestra and the Hamburg State Opera have never performed in this countryThe impetus for the visit was the appointment of the Australian conductor Simone Young to the dual posts of Musical Director and Principal Conductor of the Orchestra and General Manager of the opera company. 

Over the past four years Simone Young has been leading a new production of Wagner’s Ring CycleIt has been seen several times in Hamburg, most recently in February of 2012, and Australian Wagnerites will get a taste of her interpretation in two concert performances of Das Rheingold, the opera that opens the Ring Cycle. 

 Members of the permanent ensemble at the Hamburg State Opera will be joined by guests artists including bass, Falk Struckmann, mezzo soprano Anna Larssons and baritone Eike Wilm Schlute,

In addition Ms Young and the Hamburg Philharmonic Orchestra will give a single, performance of Mahler’s Symphony No. 2, known as ResurrectionSwedish mezzo Anna Larssons, will be joined by Korean coloratura Hang Lee Young from the Hamburg State Opera as soloistsMahler lived in Hamburg for six years, during which time he was First Conductor of the Hamburg Opera, and it was during his sojourn there that he composed the Second Symphony.

The national exclusive season by Hamburg Ballet, Hamburg Philharmonic Orchestra and, Hamburg State Opera will be presented at QPAC from 23 August to 5 September 2012. Tickets on Sale Now www.qpac.com.au or phone 136-246

 

 

One woman hit show returns to Brisbane

 

JOANNA Murray-Smith’s critically acclaimed one-woman show, starring Bernadette Robinson will return to Brisbane for a strictly limited season from May 16 – May 27.

Currently performing Sydney’s encore season, Songs For Nobodies had its World Premiere Season in Melbourne in 2010, where it has just finished a sold out encore  season, receiving extraordinary reviews. Songs For Nobodies has had similar success in both Sydney and in Brisbane where it played at The Brisbane Powerhouse in November last year. 

With direction by Simon Phillips, Robinson plays five ordinary women and five iconic singers, Judy Garland, Patsy Cline, Billie Holiday, Edith Piaf and Maria Callas. Each “nobody” recounts an intimate tale of how her life was transformed by an encounter with one of the icons.

Robinson brings to life each nobody and each legendary singer. Her voice shifts from the smoky blues of Billie Holiday to the soprano of Maria Callas, via Garland, Cline and Piaf.

Bernadette Robinson’s ‘tour de force’ performance has had both audiences and critics raving. Songs For Nobodies is a Melbourne Theatre Company Production and is produced by Harley Medcalf, Duet Entertainment.

Songs For Nobodies Brisbane Encore Season QPAC’s Cremorne Theatre May 16 – May 27 Tickets from QPAC www.qpac.com.au or by phone 136 246

 

Dangerous liaisons

 

HUGO Weaving and Pamela Rabe play the wicked duo at the centre of a new Sydney Theatre Company production of Les Liaisons Dangereuses directed by Sam Strong.

Exploring lust, love, manipulation, self interest, and sexual politics, the production is at STC’s Wharf 1 with previews from Saturday 31 March. The cast also includes Justine Clarke, Geraldine Hakewill, Jane Harders, James Mackay, Heather Mitchell, TJ Power and Ashley Ricardo.

Vicomte de Valmont (Weaving) and the Marquise de Merteuil (Rabe) manipulate all around them with the precision and discipline of master puppeteers, plotting an elaborate game of revenge, seduction, humiliation, and cruelty. These combatants will stoop to the lowest levels of deviousness in order to win. T

heir crossfire is indiscriminate, making casualties of friends and foes alike. The novel Les Liaisons Dangereuses by Choderlos de Laclos was adapted for the stage by Christopher Hampton for a Royal Shakespeare Company production in 1985. It was later adapted for the 1988 film Dangerous and inspired the 1999 film Cruel Intentions which relocated the story to a New York high school.

Les Liaisons Dangereuses is Sam Strong’s STC debut. Strong is Artistic Director at Griffin Theatre Company and recently directed one of the theatrical highlights of the 2012 Sydney Festival, The Boys.

31 March to 9 June 2012. Opening Night: Thursday 5 April, 8 pm, Wharf 1, Sydney Theatre Company, Pier 4, Hickson Road, Walsh Bay

Box Office: (02) 9250 1777. www.sydneytheatre.com.au  

Tickets: $35 - $90 (transaction fees may apply)

 

Cirque du Soleil heads our way

 

CIRQUE du Soleil is returning to Australia with its critically-acclaimed and family-friendly big top production OVO.

Brisbane will host the Australian premiere season presented under the trademark blue-and-yellow Grand Chapiteau (big top) at Northshore Hamilton, with the 2012-2013 national tour then moving to Sydney, Adelaide, Melbourne and Perth. Since its world premiere in Montreal, Canada in April 2009, OVO has visited more than 15 cities in Canada, United States and Mexico, delighting over two million spectatorsThe Australian tour will be the first time OVO has toured outside North America.

Starting February 10 2012, advance online tickets for OVO will be available exclusively for Cirque Club members. Cirque Club membership is free and registration is quick and simple. Member benefits include advance tickets, special offers, and insider information on the world of Cirque du Soleil. To join go to www.cirqueclub.com

Tickets for OVO will be on sale to the general public on Monday February 20 2012 at cirquedusoleil.com/ovo .

OVO, meaning “egg” in Portuguese, is a rush into a colourful ecosystem teeming with life, where insects work, eat, crawl, flutter, play, fight, and look for love. 

When a mysterious egg appears in their midst, the insects are awestruck and intensely curious about the object that represents the enigma and cycles of their lives. It is love at first sight when a gawky, quirky insect arrives in this bustling community and a fabulous ladybug catches his eye – and the feeling is mutual. 

The cast of OVO is comprised of 55 performing artists from 14 countries specializing in many acrobatic acts. One highlight of OVO is the stunning Flying Act in which a group of scarabs soar high above the stage, from both edges to the middle landing on a platform. This breathtaking act combines many circus disciplines: banquine, Russian swing and swinging chair.  

Cirque du Soleil - OVO - 2012/2013 Australian tour : Brisbane - From July 14, Northshore Hamilton; Sydney - From September 13 2012, Showring at The Entertainment Quarter, Moore Park; Adelaide - From December 6 2012, Location to be advised; Melbourne - From January 17 2013, Melbourne Docklands; Perth - From April 14 2013, Langley Park

Tickets for all cities on sale Monday 20 February 2012 at cirquedusoleil.com/ovo

 

The Nutcracker – on ice

 

INTERNATIONAL ice dancers, the Imperial Ice Stars will return to Australia next winter with a new production of The Nutcracker on Ice.

Over the last seven years, The Imperial Ice Stars have performed to more than three million people across five continents, at some of the world’s top venues: London’s Royal Albert Hall and Sadler’s Wells, Singapore’s Esplanade Theatre, Montreal’s Place des Arts and Moscow’s Red Square.

This award-winning troupe’s previous world tours (Sleeping Beauty on Ice, Swan Lake on Ice and Cinderella on Ice) have been greeted with nightly standing ovations and five-star reviews.

For their latest production, The Nutcracker on Ice, acclaimed Artistic Director Tony Mercer has once again teamed with four-time figure skating World Champion and dual Olympic gold medallist Evgeny Platov, and dual World Champion Maxim Staviski to create choreography that further raises the bar, with high-speed leaps and throws, and acrobatics, coupled with graceful ice dancing.

Set in early 1900s St Petersburg, The Nutcracker on Ice boasts sets by leading Australian scenic designer Eamon D’Arcy in this his fourth Imperial Ice Stars show, stylish costumes and special effects.

This new production follows the classic Russian tale of Maria, the little girl whose love brings to life her cherished Nutcracker doll – a magical Christmas gift from her mysterious godfather – leading to adventures with the Mouse King, the enchanted Prince, and the Sugar Plum Fairy.

The story was written in 1816, by the German author E T A Hoffman, and was later adapted by the French writer Alexandre Dumas in 1847.

From this adaptationTchaikovsky and choreographer Lev Ivanov created their ballet, The Nutcracker, which was first performed in St Petersburg in 1892 and has since become a perennial Christmas favourite the world over.

Sydney – Capitol Theatre – 6-10 June; Canberra – Canberra Theatre Centre – 13-17 June; Adelaide – Adelaide Festival Centre – 18-22 July; Melbourne – The Arts Centre – 25-29 July; Perth – His Majesty’s Theatre – 2-12 August; Brisbane – Lyric Theatre, QPAC – 20-24 June.