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'One Night in Hervey Bay....' |
One night in Hervey bay we went to the jetty |
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It was just on dusk and the tide was out |
The sand and the water made interesting patterns |
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As the sun set the sky and the water turned to pink |
The reflections on the water and the clouds in the sky got more & more beautiful |
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I stayed and watched and photographed until it was dark | ColophonHandmade kozo and mulberry bast paperWatermarks made with 'Sculpey' on flyscreen Colour photocopies and printing on HP psc 1210 Original Photographs taken by artist Binding mulberry sticks with string made from NZ flax dipped in paper pulp unique 2003 Gail Stiffe |
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ColophonHandmade paper from cotton and kapok cooked & beaten Watermarks made with 'Sculpey' on flyscreen Colour photocopies and printing on HP psc 1210 Original Photographs taken by artist Dos-a-dos binding with painted wooden covers One of two |
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A book about water illuminated by fire. Instructions:
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Colophon: Handmade cotton linter paper dyed
with paper dyes. Watermarks made with 'Sculpey' on flyscreen The box is made from box board covered with Chelsea book cloth, aluminium metal shim has been used in the book to reduce fire risk and as a decorative element |
Taking the theme of watermarks I thought firstly of watermarks in paper, then of the marks made by water. I decided to combine the two and pulled out my photo collection. I've had the photos from Hervey Bay for several years and have always intended making a book with them. The Milne Bay photos were taken earlier this year, the water was always there and so beautifully clear but quite difficult to photograph because of the intense shadows of the tropics.
I've used the same watermarks in all three books and since in most cases watermarks require close inspection and illumination I've included a light source in 'Fire on the Water'.
'Bay to Bay' was made in a dos-a-dos binding so that comparisons and contrasts could be made between the two bays, both bays are gateways to islands but there the similarity ends. Hervey Bay is old, Milne Bay is young, Hervey Bay was more beautiful in the evening, Milne Bay in the morning.
The beauty of 'One Night in Hervey Bay…' lies in both the beauty of the sunset and in the paper, which was made from kozo and mulberry bast paper. Keeping the binding simple I used two of the sticks that I'd peeled the bark off for the paper with some NZ flax string dipped in the kozo & mulberry pulp.
Copyright © 1999/2007 Gail Stiffe